In another thread someone had mentioned ‘Frontenac’, so I went to HelpMeFind to check out its parentage. It was somewhat confusing but what I’m most intrigued by now is… ‘Suzanne’ is in its parentage, which I’ve always seen referred to as a second generation hybrid of laxa X spinosissima. HelpMeFind lists it as Rosa canina var. froebelii X spinosissima but clarifies this by saying Rosa canina var. froebelii is synonomous with laxa… but that this laxa is not the true laxa. Evidently ‘Haidee’ is of a similar parentage. So… any of the multitude of roses descended from these Skinner roses are not laxa descendants but Rosa canina var. froebelii descendants instead? Hmmm.
Does anyone know the ploidy of this variant of Rosa canina – is it a pentaploid with typical Caninae type of meiosis?
And then Rosa X hibernica, which is Rosa canina X spinosissima, and its few descendants might warrant reconsideration by hybridizers.
Are there other roses that I’ve been thinking of as laxa derived, that are really from this canina variant?
Well, I just checked it and “Yes there are!”
‘Isabella Skinner’ and ‘John Cabot’ for instance. And all those Griffith Buck roses that have descended from his cross of [the eglanteria derived] Josef Rothmund X “laxa” (which was really Rosa canina var. froebelii).
I’m sorry to ramble on so, but this is a “Wow” moment for me… I had thought of all of these as being from true laxa and now it seems they’re really heavy on the Caninae-influence, combining eglanteria and canina derivatives.
I might have to rethink some strategies. Maybe I should do some Caninae X Pimpinellifoliae crosses of my own. I could use double types like ‘Double White Scotch’ and/or yellows like ‘Hazeldean’ to spice things up. It seems from ‘Suzanne’ and ‘Prairie Peace’, that one can get “occasional repeat later in the season” from advanced generations with this type of ancestry alone. And one can get full repeat bloom from first generation hybrids with Hybrid Teas, considering the Rosa X hibernica hybrids (Colin Dickson’s ‘Irish Fireflame’ and ‘Irish Elegance’; McGredy’s ‘Isobel’; Chaplin’s ‘Innocence’).
Tom